Festivals. The perfect embodiment of the ACFM aesthetic, and even social politics… or are they? As the season comes to a close, Nadia, Jem and Keir ask themselves what festivals are really about. Is it music? Camping? The breakdown of everyday hierachies? Or is it just 20,000 people standing in a field?
With help from Bakhtin’s concept of the “carnivalesque” and Bataille’s “excess”, the gang discuss hippies and punks, counterculture and commerce, and the role of Glastonbury in the national imagination.
Music under discussion comes from Banco De Gaia, Hawkwind, The Magic Mushroom Band and many more patchouli-scented wanderers.
A playlist of ACFM selections can be found on Spotify. Subscribe to the ACFM mailing list for more updates from the home of the weird left.
Music: David Bowie – ‘Memory of a Free Festival’ / Pulp – ‘Sorted For E’s and Wizz’ / Seize The Day – ‘With My Hammer I Break The Chains’ / Hawkwind – ‘Silver Machine’ / The Magic Mushroom Band – ‘Revolution’ / Ozric Tentacles – ‘Dissolution (The Clouds Disperse)’ / Culture Shock – ‘Stonehenge’ / Autechre – ‘Flutter’ / Banco De Gaia – Excerpt from Deep Live
Books & articles: Mikhail Bakhtin – Rabelais and His World / Jeremy Gilbert & Ewan Pearson – Discographies: Dance Music, Culture and the Politics of Sound / Georges Bataille – The Accursed Share / Frederic Jameson – Archaeologies of the Future / Penny Rimbaud – The Last of the Hippies